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New look, names for American Cruise Line's classic paddlewheelers

American Cruise Lines' fleet of four classic paddlewheelers will be undergoing a major redesign, refit and rebranding before the 2022 season.

Anne Kalosh, Editor, Seatrade Cruise News & Senior Associate Editor, Seatrade Cruise Review

September 28, 2021

2 Min Read
Credit: Seatrade Cruise News

The design will bring paddlewheel cruising to the same sophisticated standard as on American’s newest modern riverboats while retaining traditional elements true to steamboat history.

Charles B. Robertson, president & CEO of American Cruise Lines, announced the plans today at Seatrade Cruise Global.

This follows the unveiling of American Melody's new-look interiors when it began its 22-day inaugural voyage on the Mississippi River early this month.

Casual sophistication

'American Melody’s extraordinary reception, particularly by our loyalty program members, has inspired us to bring the same new aesthetic to our entire paddlewheel fleet,' Robertson said. '[Loyalists] love the casual sophistication of the ships. We've always tried to have that casual element; now we try to bring that cosmopolitan sophistication into the design.'

As the paddlewheelers get their new look, their names will be changed to include the American moniker that denotes other vessels in the fleet. America, Queen of the Mississippi and Queen of the West will be renamed American Splendor, American Heritage and American West, while American Pride will retain its original name.

'So we'll have a fleet of ships with the same name, same brand and same design aesthetic,' Robertson said. This will all go into effect when the paddlewheelers begin their 2022 seasons in March, following their 2021/22 winter lay-ups when the retrofitting will be carried out. The two Columbia River boats will operate into November this year and the two on the Mississippi through December.

The paddlewheelers' redesign will be completed by Studio DADO of Miami, which created the interiors for American Melody.

Occupancies near 100%

American Cruise Lines resumed service in March at just 30% occupancy, then went up to 75% going into the summer and now has ramped up to almost full occupancy, Robertson said. The company still has medical staff on board, quarantine rooms and a testing room, which removes four to six staterooms from inventory.

'So we're near 100% occupancy and that's been going very well as we operate through the pandemic with the protocols in place,' he said.

'Exponential growth' potential

During the pandemic, American has attracted new customers, including those who've sailed the oceans or European rivers or who traveled domestically but not on cruises. With the opportunity to introduce many more people to domestic river cruises, Robertson thinks the 'US market river space has exponential growth left in it.'

The company has stepped up production, going from one new vessel a year to two at its owned yard, Chesapeake Shipbuilding, in Salisbury, Maryland. Due out next year are American Symphony and American Serenade.

Recruitment challenge

Growth brings the 'real challenge' of recruiting more US crew, Robertson said. The company is partnering with Massachusetts Maritime Academy and Woods Hole Oceanographic Institution to educate young Americans on maritime career possibilities.

All in all, American Cruise Lines is sailing through the pandemic well.

'We're still here. We're still building ships,' Robertson said, 'I feel like we didn't miss much of a beat during the pandemic although there was an operational pause.'

 

Read more about:

American Cruise Lines

About the Author

Anne Kalosh

Editor, Seatrade Cruise News & Senior Associate Editor, Seatrade Cruise Review

Anne Kalosh covers global stories, reporting both breaking and in-depth news on cruising's significant people, places, ships and trends. A sought-after expert on cruising, she has moderated conferences around the world, including the high-profile State of the Industry panel at Seatrade Cruise Global. She created and led the acclaimed itinerary-planning case study for Seatrade's cruise master classes held at Cambridge and Oxford universities. She has been the cruise columnist for AFAR.com, and her freelance stories have appeared in a wide range of publications, from The New York Times to The Miami Herald.

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